(and why she didn’t redo the likes of Italian’s “AM Gold”). Than it looked), and why she did the new versions of most of Italian People’s questions, like how the performance was made (actually way more DIY Live, Atkins streaming from her phone at her place in Memphis with friends. Used to over COVID – but there was a bonus VIP after-party that only cost likeįive bucks, so if you were gonna get a ticket for the livestream, might as wellįor the after-party (even her parents were in it!). Whole thing was barely over a half-hour, less than the livestreams we’ve gotten George”, and the connection between “Forever” and Spooner Oldham. Also, Atkins still brought herĬharming conversation with a few in-between spoken moments, where she told Songs, while “Splinters” was the grand finale. With a fully new spin on songs such as the soaring strings of “Captain”, or piano-sly ![]() Glorified remixes/rehashes, Memphis Ice let Atkins go full chanteuse Livestream, this instead let the filmed performance be shot wonderfully – plus,Ītkins herself was in chat! Unlike many ‘reworkings’ these days that are just ![]() And she reworked her Ice songs for piano & strings as Memphis Ice ( QRO review), and did its own special livestream through Moment House platform on Friday, December 10th. She did a series of livestream events, built her ‘clubhouse’ on Patreon, and even finally got to go out on tour this year ( QRO photos), with Spoon. But as the pandemic went on, records finally came out on new release dates, but still got a bit lost in it all, such as the great Italian Ice ( QRO review) by Nicole Atkins, but the hard-working woman wasn’t daunted. Among the umpteen things thrown off by the start of the pandemic last year were album releases, as all of a sudden, artists couldn’t tour, could only do press on their computers, and people weren’t really up for new music as the world was ending.
0 Comments
Leave a Reply. |